Concord is going offline beginning September 6th
(blog.playstation.com)
from GammaGames@beehaw.org to gaming@beehaw.org on 03 Sep 2024 16:43
https://beehaw.org/post/15866738
from GammaGames@beehaw.org to gaming@beehaw.org on 03 Sep 2024 16:43
https://beehaw.org/post/15866738
Update: players are now throwing themselves off cliffs to grind xp for the platinum trophy x.com/realradec/status/1831041419756388429
threaded - newest
It fully released August 23rd. Beta started in July
The Day Before was playable from release on Dec 7th until the servers were shutdown on Jan 22nd.
47 playable days.
All time steam peak player count: 38,104.
Total Development Time: Approximately 3 Years, likely closer to 4.
…
Concord was playable on release on August 23rd, and will shut down on September 6th.
15 playable days.
All time steam peak total player count (after release): 697.
Total Development Time: Approximately 8 Years.
…
Fucking amazing. At least they’re refunding it.
697? Geez that’s… Not great.
I never saw a launched game unlaunch this quick. We talked about failures that got shutdown 1 year after launch. But now the record is what, 2 weeks? Question is, will they go back to drawing board and make changes to the game for a relaunch, such as a free to play model? Nothing is stated here, so probably not.
I would consider playing this game, if it was playable on Linux (and without a PSN account requirement). But clearly Sony does not care about me.
I think the record still goes to Amazon’s Crucible, which was cancelled before release after a closed-beta that nobody played.
I actually liked that game. Sure, it was unpolished and unoptimized. But there were still some fun to be had. It feels like they gave up on that game within a week or two.
“Nobody” probably isn’t literal here, but I imagine some manager scheduling a meeting where they want a report on the game’s performance and feedback during the beta. Some higher up is going to sit in for the first few minutes for the KPI summary.
The sweating analyst jokes about the heat in the room, the higher up dryly remarks that the AC seems to be working just fine. The presentation starts, the analyst grasping for some more weasel words and void sentences to stall with before finally switching to the second slide, captioned “Player count”. It’s a big, fat 0.
They stammer their way through half a sentence of trying to describe this zero, then fall silent, staring at their shoes. The game dev lead has a thousand yard stare. The product owner is trying to maintain composure.
The uncomfortable silence is finally broken by the manager, getting up to leave: “I think we’re done here.” There is an odd sense of foreboding, that “here” might not just mean the meeting. The analyst silently proceeds to the next slide, showing the current player count over time in a line chart.
WR Tax-Writeoff% no OOB
I feel like short of making it free to play and having a complete art style rework this game doesn’t have great hopes of ever being relevant. I mean from what I’ve gathered the gameplay itself is decent to good. But yeah they just misfired so hard with this.
Despite it all, I feel bad for the majority of devs who spent so much of their life working on this and who are likely going to be out of a job. Of course I don’t know anything about the inner workings, but I’d be willing to bet it’s not most of their fault’s that sony had been pushing so hard for live service stuff under their former leadership
I think that’s common in gaming development. You work on a project until it’s done, then pivot to another or get let go.
The game bombing likely doesn’t help but I expect most devs involved expected this. Apparently development ran 3-4 years, which is a good time to leave a job in tech generally, if not earlier if you want to maximize income.
I heard the project had been in production for 10 years and in development for 8
It is astonishing that the leads on this game didn’t take any notes on the successful parts of other team shooters released during that timeframe.
I think they did. As people keep saying the gameplay was fun. It’s everything else that doesn’t work.
they still got paid and made stuff for their portfolio, while executives get to explain why there is a hundred million missing and entire studios worth of manhours in the void
Normally it works exactly backwards to this in larger studios/publishers.
Game devs do backbreaking, insanity inducing levels of work, and all but 10% are laid off when the game launches, regardless of success or failure, and for this time they are making probably about area median wage, maybe 10 or 20% more.
Its the middle managers and higher up executives who make multiples to orders of magnitude that amount of money, and almost all of them are rewarded by either failing upward or bailing out with golden parachutes, even though its often their decisions and directions, often going against lower level devs, which lead to the ultimate commercial failure.
Perhaps this loss will be so serious that some higher ups will actually get axxed, but even then it hardly matters: They can easily retire on what they’ve earned so far, whereas the actual people writing code, making maps, making art assets, they’ll basically all be homeless if they don’t find another decent job in 3 to 6 months.
Devs be applying like “Hi! I’d like to join your development team! My professional qualifications are that I’ve spent eight years working on a failed game!”
Of course, it won’t be the individual devs’ fault but I don’t have any difficulties imagining that some of them have a harder time finding new jobs than people who were let go after the launch of more popular games.
I do not think this will go F2P at some point in the near future.
If you spend 8 years and 200 million + dollars on something that you expect to … you know, at the very least, recoup that cost… and it doesn’t even make a fraction of a percent of that?
At that point, someone with some modicum of business sense is likely to realize they’ve been chasing the sunk cost fallacy for almost a decade and that throwing even more time and money at this to develop it even more probably is completely insane, as its already shown that nobody wants this product.
I think its more likely this will be totally scrapped barring a few assets and code snippets that might be cannibalized into other projects.
This whole thing is an utter disaster from a branding perspective, if the core gameplay systems later emerge in some other game, its going to have nothing to do with the whole grand expanded universe they’ve envisioned and promoted as being a huge draw to this game.
As for the devs, sure I feel bad for them in theory, but it doesn’t help that you’ve got at least one that calls everyone criticising the game a ‘talentless freak’ and then having a twitter meltdown in response to a person saying basically: wow I’m sorry this game didn’t do so well on launch, it looks like a lot of time and effort was put into it.
boundingintocomics.com/…/concord-dev-writes-off-c…
The whole ‘feel bad for the devs, they did a good job, it was management that fucked everything’ is seriously undercut when you basically express that opinion to a dev and they act like a 14 year old responding to people that don’t like their Deviant Art OC.
It’s def not a great look but it’s also only 1 former dev. I’m not going to judge the whole team on the words of 1 person who isn’t working there anymore
This is the problem with spending millions of dollars on games and focusing on profitability over actual quality or expression. Video games are fundamentally an art medium. You can choose to make some uninspired cash grabbing trash, and can even make a whole company built around that and make profit. But are you going to make a great game that way? Probably not.
You’d be better off with half a dozen people with passion and a comparatively minuscule budget. You might have to scale back from ultra realistic graphics and massive explorable areas with dozens of voice actors, but I don’t really think that makes games any better anyway. A little 2d rpg with really basic pixel graphics can put a big project to shame if it’s made with passion and emotion.
Just read the article, id hardly call that a “meltdown” lol. Sure, it was unprofessional, but it wasn’t a rant. This article feels like it’s trying to spin a narrative that doesn’t exist.
The post in question.
Note that this is the only post they’re talking about. It wasn’t like a drawn out thread with name calling.
Again, not saying it’s professional, but calling this a meltdown? Come on now… Y’all are being ridiculous. This is like the tamest fucking tweet.
.
Make it F2P but charge for cosmetics that completely rework the art style. Almost all the characters look insufferable and I particularly want to punch Lennox in the face every time I see him.
Tbh the fact you even know a character’s name makes you an expert in my book. You know more than anyone I’ve ever talked to! 😅
I was trying to describe it to my partner and went with “the game purple monkey, the girl with the gun, and a rainbow”
I’d accidentally combined two characters from the cover art
I had to look his name up myself. 😄 I was going to post a picture of his punchable face, but seeing the whole cast, he didn’t even stand out all that much compared to the rest. They all look like a bunch of bad cosplayers.
There are DOZENS of people that know at least one character from Concord’s name
It’s interesting that they are so repulsive to almost everyone (including me). I wonder what the specific traits are that makes people dislike the cast, I can’t quite put my finger on it.
(Except maybe for the roomba/hoover robot, that one seemed kinda interesting as a concept)
There are videos on YouTube of other designers doing detailed criticism of the character designs if you’re interested
Any specific one you would recommend?
No, I haven’t watched any myself, just saw some in my recommendations
Don’t feel bad for them. Firewalk Studios may only have Concord to it’s name, but the Devs are all from Bungie and Activision. That should already ring some alarm bells.
They knew exactly what they were doing. They are the ones that sold the idea of Concord to Sony. For once I doubt Sony had to push for any of the bad decisions.
They didn’t waste $100 mill+ and 8 years development time on a random passion project. This was designed for a single reason, to make money in ridiculous amounts. To squeeze every penny out of kids and their parents.
I can’t feel bad for anyone that worked on something like that when it fails.
This would be a perfect spot to advertise that EU petition. There must’ve been at least 1 person who liked the game and now can’t play anymore.
They get a refund and it has been only 2 weeks out. The situation is vastly different from the EU petition that is going on.
Concord will be back as a F2P, guarantee it. They’ve got Amazon churning out an episode of their Secret Level series for the game, they’re not going to fully kill it here and now.
The feedback that I heard everywhere was that the game should have been F2P, so they’ll make that happen.
I will bet you $0.02 that they will absolutely pull the plug on that episode, that they will indeed fully kill it here and now, and that it will not be reworked into a F2P game with the same characters or art style ever.
Maybe they will take some of the core gameplay mechanics and work them into projects totally unrelated to the ‘Concord IP’ they spent so much time hyping, but I see 0 chance that Concord just relaunches as Concord F2P in 6 months.
I think it’s too late for Amazon to be willing to take a bath on an episode of one of their new headline IPs. The show is coming December 10th. I’d be shocked if Amazon is going to be willing to just drop a whole episode of their show because the attached game launched flaccid. They’re doing a New World episode for goodness sake, so it’s clear that they’re very willing to push this vehicle for promotion all the way to the finish line even if the engine has dropped out and the wheels have ground down to nothing.
I disagree.
Amazon still owns and operates New World.
All of the other games/franchises slated to be featured still exist as purchasable products.
They do not own or operate Concord, which probably no longer exists as a product.
The servers will be shut down in a few days.
There are no announced plans to take it F2P, as that would require dumping even more money into a gasoline fire to rework it into F2P.
Why would you promote a product that does not exist?
Its no longer a headline IP… its a total flop of an IP.
I don’t know, maybe if the whole episode is basically already done, maybe it still airs, but all that does is remind everyone about what is potentially the most expensive disaster in the history of video gaming (barring possibly Google Stadia).
It’s an anthology style show, meaning a bunch of basically self contained plots and stories, you could easily just drop one.
It’s possible they air it, but again, I’ll bet two cents the entire Concord IP just vanishes as brand management trumps over anything else.
All the more reason for Amazon to not give a fuck and release the episode anyway. They already expended the effort and money, they’ve probably already sold the ads to run against it, they’ve got streaming hour benchmarks to hit if they want to claim the show is a success, so everything is running in favor of Amazon taking a look at the shitshow the game is in and saying, “SHIP IT” for their Secret Level episode. Normies who aren’t super into gaming aren’t going to know that the game it represents is dead, and there’s a fair chance that Sony will pursue F2P explicitly so that it can not be when the episode airs so they can attempt to get some money from those people who will see the episode and want to play the game. The people behind “Love Death + Robots” are behind this series, they’re probably going to ship a good Concord episode that will make that bland mess of Live Service nonsense seem interesting whether or not the game is good or even alive.
The fact that the announcement says they’re taking the servers offline and looking at options to connect with “their players”, while Sony have also not just shut down Firewalk Studios (A wholly owned subsidiary of Sony) is more or less a full endorsement of the idea that they think they can make a go of this by going F2P. Studios that flat out fail don’t stick around in this day and age and the director of the game is saying that they’re looking at options to connect with “their players”, how is that not saying that they’re going to remove the one barrier to entry that everyone is talking about by taking the game free to play?
I think you may have misunderstood, I didn’t mean to suggest that Concord was a headline IP, I was saying that Amazon considers Secret Level to be a headline IP for Prime Video and they’ve got zero fucks to give about what good (or bad) business the game their episode is based on is doing, they need butts in seats to watch their prestige video games anthology series from the makers of “Love Death + Robots” and I don’t think they give a single shit if Sony feels bad because their game didn’t make it and Amazon still launched an episode set in the same universe as the game.
Not if ad sales has already written contracts for ads against a set number of episodes. Not if you have streamed hour targets that you need to hit for the show if you want to keep making future seasons of the thing. Not if you are not a gamer and don’t give any fucks about the stupid decisions that Sony made with the IP they probably paid you to make an episode about. There’s absolutely zero reason for Amazon to shitcan an episode of this show just because the game it’s based on was nonsense and everyone knew it years before the game ever launched, it’s an extra 30-40 minutes of space to stick ads and pump “hours watched” even if the episode is as bland as the game. Ads and hours are the only things that video platforms care about, they’re going to keep that episode unless there’s a contractual obligation to cancel it. I doubt that Sony had the foresight to put something in their contract that allowed them to shut things down if the game flopped, and even if they did, such a provision would usually mean that they’d have to pay Amazon some penalty to exercise that option which probably makes it cheaper for Sony to just allow it to move ahead.
I would not take that bet. I also think the brand is dead. It’s got a year or two tops of being a shambling zombie, but you’re thinking too much like a rational person and businesses don’t think like that, they’re going to try to squeeze blood from this stone, it’s the only thing they know how to do.
Well shucks, I could have used another 2¢.
Well, I’m not above admitting that I was wrong. Kudos to you. I legit figured they’d let that corpse shamble along for at least a year as a F2P endeavor, but they seem to have reached a correct conclusion earlier than I would have credited them.
Hey, I appreciate your honesty and integrity!
I suppose it is still possible that the Concord themed Secret Level episode will still air…
I still doubt it.
I’m still willing to bet 2¢ it won’t air, haha.
But yeah… the marketing (the video presentations of staff and developers, their public statements etc) seemed to me to very much indicate that the whole plan was to create an entire Concord Expanded Universe.
The game was supposed to have weekly story/character progression updates like some older MMOs, they talked about being in many different media formats, they literally used the phrase Concord Universe or Universe of Concord.
When you go all in on a new IP and … its the biggest failure in the history of gaming… all your plans are done, kaput. You have to wait for people to forget about it and then ‘reimagine’ it a decade later if you even want to try to resurrect it.
From a game design standpoint… it wasn’t designed to work as a heavily MTX dependent game.
That’s actually a whole lot more development, more content, more UIs, more testing… and thus money you have to throw at it to get it to be that… and it already has failed, and been stupendously expensive to develop, has a horrific general reputation/perception.
But as to at least the Secret Level episode airing?
You do have good arguments that basically boil down to it already being completed or mostly complete, and the … who gets paid by what contract with who for what… that kind of set up … may lead to it making more business sense to just air it anyway.
But I would still counter that Sony wants to memory hole this IP from collective knowledge, and that they value that, as a means of improving their public perception, more than whatever they’d lose from breaking their contracts with Amazon.
Six of one, half a dozen of the other. The Secret Level episode is confirmed to be on, so I guess we’ll get at least a peek at what they felt was there for us to enjoy in Concord.
Well there you go haha.
I got that part wrong.
Thanks for the update =)
I’d have probably posted it more broadly, but I honestly suspect that most of the people who give a shit are probably working at Amazon and likely could be counted on a single set of human digits. 😆
I seriously doubt that episode will ever be finished.
It makes zero sense trying to save it here and now, but that’s how C-Suite idiots think, so I won’t be surprised. The show launches in just over 90 days, chances are pretty good that episode is already in the can and it’s far too late to steer resources into another franchise for a different episode to fill the spot. Ad sales against that content have already closed big contracts, marketing has already laid campaigns that mention Concord all over the place, and for the content industry 3 months is too late to try to steer the ship away from a disaster.
Animation (outside of South Park) often takes 7-10 months on the low end to get a single episode from start to finish. Like I said, they’re doing a New World episode and that shit is dead as doornails. I doubt they’ll allow an launched/un-launched game off the hook. Hell, it’s probably now their plan to convert the game to F2P in time to simu-relaunch with the animated series episode so that they can get Amazon promotion synergies.
On one hand, this does sound plausible, but on the other hand, Concord is such a disaster that said C-Suit idiots might legitimately fear that the mere existence of its episode could overshadow the entire rest of the show. It might be cheaper and more sensible to just write one episode off and, if there is any hint of an overarching narrative, fix this with a few edits to other episodes and maybe some quickly recorded voice over to bridge any possible gaps.
I’ve worked for those idiots. In the streaming video industry. They do not think this or fear this and this is one of those rare cases where they’re not being idiots. People will hate watch the Concord episode of Secret Level. People will be curious about the episode because of the trainwreck that the game is. The social media buzz around Concord being gawdawful will put butts in seats. These guys are not wrong that there is no bad publicity, and they don’t need people to love the Concord episode of Secret Level for the series as a whole to hit their “hours streamed” benchmarks, sell a fuckton of ads, and have them call the whole thing a success so they can do it all again for Secret Level season 2 where they never speak of Concord again.
What’s more, they don’t even care if the Concord episode is good, they care that you watched another 30-40 minutes of content and pumped all their metrics. They know that the average viewer of content on Prime Video doesn’t know what a ‘Sifu’ is, or an ‘Unreal Tournament’, or an ‘Armored Core’… They know that the majority of the viewers for Secret Level are not going to know that ‘Concord’ is dead, nor will they care if they ever find out, so it won’t matter at all for their single episode in an anthology. Hell, for that matter as much as it sucks, Unreal Tournament has been dead for years and you can’t even buy most of the legacy versions of that game anymore thanks to Epic, so I really doubt that Amazon Prime Video cares much at all about the games represented in their anthology being alive. They just need things to fit the framing of the show so that viewers at home will go, “Oh, it’s that thing from the makers of ‘Love Death + Robots’ about video games, think I’ll have a look.” So long as everything under the label looks sufficiently video gamey, the average viewer will enjoy the show and move on whether or not they could ever actually play those games.
They’ll just use AI to make it.
As much as I’d like to see this game preserved, I don’t think the dev can be held responsible when they’re refunding everyone who purchased the game.
I am fairly, but not 100% certain, that Ross Scott’s proposal currently making the rounds in the EU would say that you either have to refund a game (and all in game purchases) when it becomes totally unplayable, or you have to release some kind of way for dedicated fans to be able to least run custom servers and bypass no longer maintained, proprietary, always online verification/anti cheat schtuff.
I believe another alternative would be to make it completely clear that you’re getting a temporary license. You shouldn’t be able to try to make it look like you’re buying a game when you don’t then even own.
No, no no, that is the current practice and origin of the entire problem.
If you legally class a game as an ongoing service that is temporary and subject to termination, without recompense, soley by the decision of and according to the terms of the licensor, then they can legally sell you a game for $80 bucks and then shut down the next day.
If you legally class the game as a good, well you can’t sell someone a chair which then has 3 of its legs disappear or collapse (due to no fault of the owner) the next day without that being a scam of a defective product.
…
If you’re saying the emphasis should be on raising consumer awareness that they’re buying a temporary, revocable and non refundable service…
Who, other than children, do not know this yet?
That would not force the industry to actually change their practices.
It just slaps a big bold 'haha the fuck you isn’t even in the fine print anymore’ label on a product and makes our cyberpunk dystopia a little bit more obvious, but doesn’t achieve any useful goal in terms of altering actual game design/support or consumer rights.
Their parents, new/casual games, charity shops that might want to resell, etc.
True, but that would make it slightly easier for offline games, games that allow for private hosting, and games with an end of life plan that would allow it. They would be able to compete more easily if they could be easily identified. That could then incentivise companies to add end of life plans.
A step in the right direction would be great. Even if it’s a small step.
Wow, this is absolutely wild. From launch to delisting in two weeks. Yeah, there’s a good chance that this is temporary while they pivot to a free-to-play model, but holy crap. Guess the PS5 player count must not be substantially higher than the abysmal Steam player count.
The estimates I’ve seen from people going off of PS achievements for the game put total PS sales at about 15,000 compared to about 10,000 on Steam.
So that would equate to roughly an all time PSN concurrent player count high of 1,000.
oof. Yeah, they did the right thing pulling the plug on this for now. You’d probably spend more time waiting for a match to queue up than actually playing the game.
Yeah it hit that point a few days ago.
If I had to guess, they started the process of pulling the plug when sales/players didn’t pick up on Labor Day, a holiday that normally sees increased player numbers.
Stop making live service games, especially when you have no fucking clue where your audience is
Stop making live service games and “shared world” faux-mmos. If it’s not single player, P2P multiplayer, or providing the server executable for me to host, I’m not buying it. There are already enough good MMOs anyways.
Some of the best FPS games are live service games but it’s because they’re great games at their core. Plenty of companies are focusing on making live service games instead of games so good that they become live services.
I loved the first Division game. It had a great community, great gunplay, and prior to the crafting nerf(s) a really good loot/crafting feedback loop. But it could have just as easily been made as a local co-op or self-hosted game. I have yet to encounter a game that can only exist as a live service game, unlike e.g. Eve Online which can only exist as an MMO.
Out of curiosity, what are the good MMOs?
for me, Eve Online, ESO, WoW, Mabinogi, FF XIV
Guild Wars 2!
I worked in Star Wars: The Old Republic for ten years. It’s still running and the story is really nice. EA sold it to Broadsword.
You helped develop it?
I indeed did. I started working on it as QA and left the project as a software engineer. It was a really fun experience.
edit: I have a lightsaber replica to show for it. Lol
That’s awesome! Thanks for making an MMO I personally have 500 hours in on steam. It’s actually the MMO that made me open to playing MMOs, I hated the genre before because all I knew was WoW and Korean stuff that’s all walls of bland text and dull repetitive tasks that don’t respect your time.
The stories of SWTOR and full voice acting were something else entirely. I really enjoyed it and have some very fond memories of my first time playing it as a teen years and years ago, it basically absorbed my holiday vacation that year as I found a guild, made friends, got into some RP, and really just found some cool experiences. In a market starving for anything halfway decent that’s star wars I’m glad we have it.
I request lightsaber pictures!
I also request lightsaber pictures!
I am definitely going to share this story with the team. It really touched my heart and I’m sure it will theirs.
I remember when the title went on steam, it was a really big deal.
As for the light saber, lemme look. The box is currently in storage, in it’s original box, neatly packed. I cherish those years.
I actually found it pretty soon after it went free to play, I thought I’d check it out and then BAM I’ve completed all class stories, maxed levels, got into housing decoration, and even have an unhealthy number of alts I’ll definitely get around to playing through again someday.
I remember being so happy it was on steam largely for the auto updates. Seems it’s been a very healthy success since then.
It’s a great mmo because it doesn’t have the grind and time Commitments.
It’s not a 2nd job, it’s just something to do for fun with a good story and atmosphere. It’s what an mmo should be.
It sounds like you’ve already got a curated list of games - what are a few standout multiplayer that you enjoy that meet your criteria?
I’ll start off - when knockout city, an excellent dodgeball “shooter” closed shop, the devs released the server hosting code so the community could still play
Multiplayer games that I love, that I can self-host or play P2P?
Project Zomboid, ARK, Grim Dawn, Starbound, Space Engineers, Satisfactory, and Bellwright
I would have included Minecraft Java, but MS went and made it online only recently, where you can’t play at all without signing into their launcher, even singleplayer.
I know one person IRL who is cresfallen by this news. I don’t know much about this gaming though, how come it never caught on?
It missed several boats and came out with a sticker price when most of the other games in the same market are free to play
It also released 2 weeks ago, so I can see why they’d be disappointed! It’s apparently a decently fun game and getting support pulled so quickly would be sad
Plus it didn’t help that one out of the two systems (PS5) requires a paid online subscription
Concorde, isn’t that a car?
Retired supersonic airliner
Released: August 23rd, 2024.
Shutting down: September 6th, 2024.
Speedrun strats?
Can someone preserve this piece of shit? The internet has enough lost media to scramble after
This is probably a new record